After a while I decided to move Jerker (with contents) into the bedroom. Swapping cables to and from the inputs of the Nord Modular and outputs between the different synths made me realize I finally needed a mixer. I bought a mixer, and while I was at it, an external effects unit, the Lexicon MPX 100, as well. I naturally had nowhere to put them, so I got a QuikLok rack, put everything that was rackmountable into it and placed it conveniently next to the Jerker. I learned something about Cable Hell and how much cables gather dust.

My SyQuest media broke down in the middle of a production. The drive itself broke down soon afterwards. I learned the importance of backing up. I eventually replaced the SyQuest with a Zip drive. 

In early 1999, I bought a Roland Octapad II, which was nice but too noisy for a block of flats. I decided to sell the Wavestation in early 2000, having not used it as much as I felt I should have. The WS programming had quite a steep learning curve, and I simply didn’t feel inspired by it. I was probably spoiled by the Modular, which was an absolute dream to use. That was the first time I sold a sound source, not really counting the first Korg I had.

Musical Output From This Period

When the EZ-drive broke down I didn’t really feel like buying more of the same. when something breaks down on you, you tend to get a bit careful. But I needed a SCSI-Drive for my samples, and Zip-drives seemed to be all the rage. So I got one. And when that broke down, I got another one. And when that one broke down, still another one. Apart from it breaking down constantly, it was a real joy.

My hands and feet are constantly drumming. My ex-next-desk neighbour at the office constantly used to tell my leg to shut up, as his monitor kept jumping up and down. The logical thing for me to do was to get something that, when drummed, actually would result in something useful. The Octapad is a nice concept, but I didn’t keep this for the simple fact that it was very noisy; drumming it sounded like drumming a plastic bucket, and considering I lived in a block of flats at the time I got this, I just didn’t feel comfortable using it.

The first external effect I ever bought. Also turned out to be the last external effect I ever bought, as effects turned out to work pretty well inside the box. Really great sound, this one has. At one time I used its S/PDIF connection as a digital recording interface to my SoundBlaster card: I would route the audio to be recorded into the MPX and it would be transferred digitally to the computer. Or, later, the Akai S-2000.

Later, it became part of my modular rig, but as I never really used it, I sold it.

My first trusty mixer. Worked like a charm and served me well for many years. For all practical purposes it became obsolete when I got my first FireFace, but I only sold it after Judgment Day.