The fourth Moog semimodular eurorack-compatible module I got. Fits nicely with its three pals into a Behringer Go enclosure. During the past year or so I have taken an interest in generative music, and a number of my eurorack modules have similar generative features like the ones that can be found in this one. Compared to those, though, this is a standalone unit with both the generative features as well as the actual sound engine. We’ve got something that looks like a Turing Machine / shift register type of random rhythm & pitch generation, where the pitch can be restrained by forcing it to selected scales. Lovely, huh? And there is not one single Moog synth I’ve tried that does not sound absolutely wonderful, and I don’t see why this would be any different. It is different, though: the oscillator is not the typical setup of waveforms but rather a sine wave with a wave folder, which is pretty radical for Moog. So it doesn’t really sound like a classic Moog, but I’m not worried.
One of the synths I never knew I listened to, remade by Behringer. The original PPG Wave was used on my favourite synth pop albums by Ultravox, Thomas Dolby, Depeche Mode (and basically every other synth band after the synth was released) in the early-to-mid 80’s. Part of the digital revolution, with a wavetable synth engine giving a totally different vibe compared to, say, the FM synthesis of the DX-7. Internet seems to agree that Behringer has made quite a decent copy of it, so here we go. The presets aren’t particularly mind-blowing for my taste, but oh-so-familiar with a couple of true gems, and I can see myself loading my own wavetables into it to make it “mine”. Haven’t played around with wavetables in 30 years, I think. So yeah, nostalgia.
The local synth store had a sale. Quite retro to just go to the store and ask if they have one and then go home with one. Anyways, a compact and seriously beefy thing. Nifty sequencer and a kickass sound. Sits nicely on the desk, while I sit nicely in front of it, behind the desk. Sonically, as a bonus, on top on the standard Moog waveforms we get a wavefolded triangle wave to get into the grittier territory. Apparently you can teach old dogs etc. Also see the Labyrinth, don’t remember which came first.
Behringer’s take on the classic Oberheim Two-Voice in a compact Eurorack format. Should pair well with my Oberheim SEM. More SEM-filters!!!
Another Behringer vintage synth clone, and these are so dirt cheap it boggles the mind. Behringer really delivers, these things pack such a punch for the price it’s amazing, and they are constantly pumping out new ones.
Behringer came out with a number of cheap modules, so here we go. “Roland” and “ARP 2500” in nice TipTop enclosures. The semi-portability makes this perfect for, say, patching in bed.
Oh no I didn’t…? Yep, I did…
Rev 4, to be exact.
There it is, with its pal. I didn’t actually get two; the first one had a broken USB chip, or something, so I returned it and got another one, but not in that order.

Here it is with its other pal.

A solid semimodular monosynth + sequencer. Part of my 3-piece random sound & song generator thingy consisting of this one, the DFAM and the Subharmonicon, which I plan to use as more or less one instrument. Let’s see how that goes.
This is something that is so different from anything else ever. It will most definitely require a lot of experimentation and me wrapping my head around subharmonics instead of just the usual stuff that’s present in every other synth ever made but this one. Even if it definitely is a machine that goes “Pinnnnnngg”, it also definitely does it its own way. I think the happy accident-route is something I’m going for with this one as well.
Behringer’s version of the classic-est of all classics, the Moog Minimoog Model D. With these prices, I just could not resist getting one. Seems solid so far.









