I need a mic. I’m not picky. My brother said this was good, and I keep seeing it everywhere. And it’s been great. It still is.
I would not want to be this microphone. The stuff it has been forced to listen to…
The more, the merrier. The Wiard modules seem to be quite expensive, but I got two FracRack-format cheapies, which turned out to have an enormous impact on the realtime tweakability of the modular’s parameters: a nice little joystick and a joystick axis generator. The joystick axis generator is a kind of Modulation Matrix Lite: it takes two input CV’s, and spits them out in various ratios through a number of outputs. Up, down, left, right, and in-between, plus middle and the complement of middle. Patch in a joystick or two LFO’s, connect all the outputs to appropriate inputs, and listen to the sound change drastically and becoming really alive. The JAG comes highly recommended!
My main Modular of choice. I sold my Doepfer (and a spitload of other gear) to finance this, and I am not one bit sorry that I did. The feel is very reliable, the sound is massive, and it simply looks like a modular should look. A shame I could not actually a/b the sound of this and Doepfer, but this sounds really wonderful. My plan is to build a flexible modular, which will include interesting modules from several modular manufacturers, and in which the dotcom will be the core. I have had loads of fun with this already, and this is again one of those investments that have a potential to be for life.
At first I wanted to get a custom walnut cabinet, but it turned out that my modular Muurame bookshelf is a perfect fit for rack gear. And I have a lot of Muurame modules…
Butt-ugly or not, the amount of available interesting modules is quite overwhelming, so I really saw no reason not to include Doepfer in my rig. As with Blacet, the idea is to complement the main modular. The first modules I got were two theremin modules, which should prove fun both to me and my daughter. Doepfer’s got a huge amount of filters and other sounds processing modules, so I think it will grow out of proportion and that I will feel quite good about it, all things considered.
The first “next” manufacturer to be added alongside the dotcom modules. Blacet modules come in kits or assembled, and without hesitation I went for the assembled ones. I don’t quite trust myself behind the soldering iron, I might end up with something not-so-safe. Blacet uses the FracRack form factor, and the same annoyingly small jacks as Doepfer, but I figured I shouldn’t be too picky about these things. Blacet have some fun modules, and there really is no reason not to get some, as they integrate quite nicely into what is now becoming a Frankensynth.
A Moog. Pronounced “Mogue”. This is a heavy piece of work, and it just oozes quality. It sounds exactly the way you would think a Moog should sound. Solid as a rock and absolutely no complaints about its sonic properties. There’s one interesting design flaw, though: when the electrical cord is attached to it and the panel is lowered to its lowest position, the entire weight of the panel ends up resting on the cord. How could that ever get a green light? Oh well, nobody’s perfect.
I actually put this one for sale after Judgment Day, but nobody wanted it. Go figure. So I still have it. I would probably like to go simpler, meaning I would not mind trading it for a re-issue of the Model D. Drop me a line if you’re interested.
Instead of having one Kenton Pro Solo per analog synth, I thought it would be wise to have only one MIDI-to-CV -converter to Rule Them All. So I got this, and it’s perfect for that: you can have up to 4 synths connected to it (or 12, if you’re not picky about pitch accuracy), or you can configure it for use with, say, a modular synth. Quite easy to use, and has worked really well. Still didn’t get rid of my Kenton’s, though.
Eventually the battery died, and it was the kind that required some heavy soldering work. That, and the fact that I really didn’t feel I had missed it while it sat there unused for several year, led me to part with it.
OK, then. Time to go seriously analog. My plan was very simple: to build a modular synthesizer one module at a time, and spend serious quality time with each new module in order to truly learn it. I ordered an empty 6U case, and oscillator and an lfo and sat down and waited. While I waited, I happened to place the winning bid on an entire full 6U system from eBay. So much for going slowly.
Doepfer has a truly excellent setup of modules and they are very reasonably priced. Still, before my modular grew out of proportion, I decided to go for another brand, the Synthesizers.com modular. So I sold the Doepfer and ordered a dotcom instead.
Main reasons for not keeping Doepfer: small plugs feel a bit flimsy, small modules are a bit unergonomic, and it isn’t black 🙂
My Doepferlessness didn’t last for long, though…
I bought this by mistake. I got it dirt cheap from eBay; I just placed a very low bid and ended up getting it. Never really used it; kept it for a few months, then sold it to help finance a dotcom modular. Er, I sold a bunch of other stuff as well; this one didn’t quite cover the dotcom price…
Before digging deeper into analog (= MIDI-less) synths, I had to make sure that they would play nice with digital stuff like, say, a computer that’s supposed to be sequencing them. Kenton came highly recommended. It’s a MIDI-to-CV -converter, meaning that it takes the incoming digital MIDI note data and transforms it into voltages and trigger signals, thus making it possible to drive analog gear with digital means. Solid as a rock. I’ve had a couple of these over the years, never let me down.
Well, except the one that didn’t work. Apparently the bag it was in was run over at the airport when it was being loaded onto the plane.